SPOILER WARNING: The following article gives away pretty much the whole plot of Opus, so if you have not seen the new 2025 movie, proceed with caution as you take in this “once-in-a-lifetime experience.”
The extreme nature of fan loyalty, especially in the music industry, is not something to be taken lightly, which appears to be the general thesis of Opus. The new A24 movie, and debut feature from writer and director Mark Anthony Green, stars Ayo Edebiri as Ariel Ecton, a journalist offered the chance to witness the unveiling of the latest studio album from much-admired, long-retired pop star Moretti (John Malkovich), but quickly suspects something sinister is afoot.
I was excited to finally check out the recent horror movie with my HBO Max subscription, and it was mostly what I anticipated, while also catching me a little off guard with some unexpected and unlikely similarities to a certain classic kids movie. I mean, is it just me, or does the plot of Opus seem to borrow a lot from Willy Wonka and the Chocolate Factory? Allow me to explain…
1971 film was pretty dark to begin with). In fact, it was the one thing about Opus that I found most amusing.
Personally, I Would Rather Just Watch Willy Wonka Again Than Opus
I apologize if that “once-in-a-lifetime experience” bit from the top of my article sounded self-indulgent. I just wanted to honor my tradition of spoiler warnings that reference the film I am writing about, since the premiere presentation of Moretti’s new album is often described as “a once-in-a-lifetime experience” in Opus. However, the movie itself, if you ask me, is anything but.
While it boasts wonderful performances all around, especially from Edebiri, and some catchy tunes courtesy of Nile Rodgers and The Dream, it does not quite master the unsettling tone that could have earned it a spot among the best A24 horror movies or, at least, saved it from being a relatively bland commentary on vanity and celebrity obsession, in my opinion. It does not have much of anything interesting to say about those themes, and, on top of that, it painfully pales in comparison to the many other, and arguably more effective, thrillers dealing with the topic of cults from only the last decade or so, such as Midsommar or The Invitation.
If my negative review does not sway you and a twisted reimagining of Willy Wonka from A24 still piques your curiosity, go ahead and stream Opus on HBO Max and see how you feel. Maybe it will have a greater effect on you and transport you into a world of pure imagination.