TV & Beyond on 2025-08-01 22:00:00

TV & Beyond on 2025-08-01 22:00:00

Steven Spielberg’s complex, atypical 2005 blockbuster. Now, however, Ice Cube has made a “War of the Worlds” movie, which in and of itself should have induced just as wide a panic as Welles’ unconventional radio broadcast. Instead, it seems viewers can’t get enough of this film, which has otherwise dismayed critics across the board.

The movie stars Ice Cube as Homeland Security terror analyst and surveillance wiz Will Radford, a man who apparently has far too much time on his hands as he spends most of his shift surveilling his own children and chastising them for playing video games and not eating as healthily as he’d like. Soon, however, the alien invasion begins, which, instead of witnessing in all the 4K glory that a modern-day adaptation can offer, we see via lo-res clips taken by everyday citizens pointing their phones at the ongoing carnage. 

Yes, the 2025 “War of the Worlds” all plays out on Ice Cube’s desktop computer (the film was shot during the pandemic) à la 2018’s “Searching,” which also unfolded entirely on computer screens and was a genuine thrill to watch. Even the sequel, “Missing,” was a messier but no less thrilling follow-up. “War of the Worlds,” however, has been anything but — at least according to critics. At least Prime Video viewers appear to be loving it.

War of the Worlds invades the Prime Video charts

“War of the Worlds” comes from frequent Eminem music video director Rich Lee and presents to us the chilling image of Ice Cube being given access to the nation’s security cameras. That’s surely a more terrifying prospect than an alien invasion, but “War of the Worlds” also asks the question, “Is Ice Cube charismatic enough for viewers to watch 90 minutes of him clicking around his desktop?” According to most critics, the answer is an emphatic “no.” But that hasn’t stopped the Prime Video subscribers from streaming this one in earnest, sending it right to the top of the streamers’ most-watched charts.

“War of the Worlds” was released via Universal Pictures on Prime Video on July 30, 2025, and has become an instant hit. According to FlixPatrol, a site that tracks viewership data across streaming platforms, the movie debuted on the Prime Video movie charts in 34 countries around the world on July 31, 2025. What’s more, it hit number one in 11 of them, including the United States and Canada.

That’s a strong debut for Ice Cube’s sci-fi adaptation, which is also currently charting at number two in 10 other countries, suggesting it will soon take the top spot in several other markets. At the time of writing, the film is no lower than number four in any of the countries in which it’s charting, further proving that Prime Video has a burgeoning hit on its hands. Whether it can maintain its position at the top of the charts, however, remains to be seen, but judging by the reviews, the “War of the Worlds” chart invasion might be a short-lived

War of the Worlds has crashed and burned with critic

Prime Video viewers might have been gleefully streaming “War of the Worlds,” but the movie isn’t enjoying the best critical reception. In fact, critics have been merciless in their assessment of the film, with Variety dubbing it a “disastrous movie retelling of H.G. Wells’ alien-invasion classic,” and a “cheap-looking thriller.” But perhaps the most egregious thing about “War of the Worlds” is the fact that, as Variety put it, the film amounts to little more than “a feature-length commercial for all things Amazon.”

At one point, Will’s future son-in-law, Mark Goodman (Devon Bostick as), who drives a Prime delivery truck, instructs Will to “place an official order on Amazon” to activate a drone delivery (“the future of delivery, according to Mark). The process of Will adding the order to his cart then plays out for us all to see in a sequence that surely disqualifies the movie from being taken seriously beyond some sort of promo for the very platform on which it’s being distributed. At one point, an unhoused man who helps right a downed drone is rewarded for his effort with an Amazon gift card. This is likely what prompted Film Stories to call the film “one of the most breathtakingly odd things you’ll see this year.”

If you like overt advertisements for products and services as part of your sci-fi thrillers, then “War of the Worlds” might be for you. Hey, it seems to have worked for the film so far. Otherwise, despite its chart success, this might not be the most advisable choice. There are, however, several great Prime Video shows that justify a subscription, including the “Bosch” spin-off series that recently took over the Prime Video charts.

TV & Beyond on 2025-08-01 21:34:46

TV & Beyond on 2025-08-01 21:34:46

a slight cameo from Charlie Cox as Daredevil).

The upcoming fourth film, “Spider-Man: Brand New Day” (which just revealed its first eight-second-long teaser) is not changing the team-up formula. The movie will face the challenge of trying to match the scale of “No Way Home” but it’ll face this head-on and at worst go down swinging like Peter Parker does. It’s already been confirmed that Jon Bernthal will be appearing as the Punisher in the movie, and he’s sure to be (at best) an uneasy ally for Spider-Man. Now, the Hollywood Reporter has confirmed two other MCU characters/actors joining the movie. 

Mark Ruffalo will be appearing as Bruce Banner/the Hulk in “Spider-Man: Brand New Day.” Ruffalo last appeared as the Hulk in 2022 Disney+ series “She-Hulk: Attorney at Law,” where a blood transfusion turned Bruce’s cousin Jen Walters (Tatiana Maslany) into a new Hulk. 

But that’s not all, because the report says that Michael Mando will be reprising his role as the gangster Mac Gargan from “Spider-Man: Homecoming.” Gargan was one of Adrian Toomes’ (Michael Keaton) arms-dealing clients, but he got busted by Spidey during a sale and sent to prison. In the “Homecoming” post-credits scene, Gargan met with Toomes in prison and suggested they get revenge on Spider-Man. 

Peter better watch his back because Marvel fans know Gargan is no simple criminal; it’s his destiny to become a super-villain called the Scorpion.

What role can Hulk and Scorpion play in Spider-Man: Brand New Day

Back when “Spider-Man: Homecoming” first released, I walked out of the movie thinking Mando as Scorpion was going to be the villain of the next one. The stinger seemed like clear sequel bait and the “Spider-Man” movies hadn’t used Scorpion yet. Then, “Far From Home” pivoted to Spidey fighting Mysterio (Jake Gyllenhaal) on a European field trip. And then “No Way Home” became Crisis on Infinite Spider-Men. It seemed like Scorpion had fallen through the cracks. The new animated series “Your Friendly Neighborhood Spider-Man” (which is MCU inspired but non-canon) even features Gargan (Jonathan Medina) becoming Scorpion, as if taking advantage of the movies dropping his story thread… until now. In the comics, J. Jonah Jameson is the one who funds Gargan’s transformation into the Scorpion. If they want to give J.K. Simmons a bigger part as JJJ again, there you go.

The bigger question mark is how the Hulk fits in. He and Spider-Man have been in some “Avengers” movies together, but to my memory, they’ve never even shared a word with each other. The one connection I see is that both heroes are scientists, so perhaps Peter can bond with Bruce like he previously did Tony. With where “No Way Home” left him, Peter Parker could also use a mentor like Bruce Banner who knows what it’s like to be all alone in the world.

Sadie Sink has also been cast as someone in “Spider-Man: Brand New Day” — speculation about her part has ranged from a “true” Mary Jane Watson to Gwen Stacy to the X-Men’s Jean Grey to the minor hero Sarah Ehret/Jackpot. We’ll see how well “Spider-Man: Brand New Day” can hold this growing web together soon.

“Spider-Man: Brand New Day” is scheduled for theatrical release on July 31, 2026. 

TV & Beyond on 2025-08-01 20:09:57

TV & Beyond on 2025-08-01 20:09:57

TV & Beyond on 2025-08-01 20:09:57

All right, so I wanna get specific. I talked to Dan Gregor and Doug Mand about the Snowman’s Cottage sequence, which is just like a showstopper of a sequence. I was laughing so hard at that. I know that you said that the idea just kind of popped into your head early one morning, but I was curious if there were any other drastically different versions of that scene before you had that idea and what they were like?

That’s a great question. We definitely wrote some other montages, but I do not recall what they were. They were fine, but none of them felt different enough. Not different enough from the old “Naked Gun” one but just different enough from all of the making fun of montages that have happened in the last 30 years. It is well-worn territory. The first “Naked Gun” one is classic, and then there’s so many others. The one that always comes to mind is like “Team America,” “You need a montage.” Like, once they have the song talking about it, they’ve really broken it. I wish I do remember, but I don’t remember the other ones. There was no debate. Once I wrote that one, we were all like, “Good.”

The one final bit that I wanna talk about is the TiVo bit, which feels so personal and specific, and it just comes out of nowhere. What was the inception of that?

It’s so funny ’cause in some of these interviews, I talk a lot about momentum and how the movie just had to move, and how if a joke didn’t work, I would always cut it. Even things that went further, like sometimes we’d cut the last beat off if it climaxed at one part. Then when it gets to the “Buffy” joke, it’s indefensible. That’s just me. 

It’s the only joke that’s still makes me laugh. I’ve seen the movie a thousand times, scrutinized every frame. It’s all just like ones and zeros to me now of color and sound and mix. None of it makes me laugh anymore. That joke still makes me laugh every time. It was always polarizing. Half the audience would be like, “Do not touch it. It’s the best joke in the movie.” And half the audience would be like, “Get that out of here. I don’t even have a clue what that was.”

It’s so good. Especially the silence there, when he’s like, “Hold on,” and he’s hooking it up and waiting for it to boot up.

Yeah, “Just stand there. Just stand there.” I think even for people who don’t love it, if they watched the movie another time or two more times now knowing it, I think it will become their favorite joke.
 That’s how much I believe in it. 

I had to tell Liam, “No, I know that one doesn’t — It only plays for half the audience.” It’s just my favorite and I like that we don’t explain it. I think there’s a lot of people also that by the time he’s in the […], when he’s in the cab, after the cab ride, and he’s got the TiVo, there’s people that laugh there and I go like, “I think there’s some people that are just watching it trying to figure out where it’s going and what it is as a joke, because I don’t recognize its format from anything.” It’s Liam’s performance that kills it.

Absolutely.

He’s just so dedicated. So, I think those people then will be laughing from the beginning the next time. You know what I mean? But I have to admit, it was self-indulgent. I know.

“The Naked Gun” is playing in theaters now.

TV & Beyond on 2025-08-01 19:00:00

TV & Beyond on 2025-08-01 19:00:00

Deadline confirming the news. “And just like that… the ongoing storytelling of the ‘Sex and the City’ universe is coming to an end,” it read. “While I was writing the last episode of ‘And Just Like That…’ season 3, it became clear to me that this might be a wonderful place to stop.” King then explained that he, executive producer and star Sarah Jessica Parker, head of HBO Max content Casey Bloys, and head of HBO Max originals Sarah Aubrey made the decision to include 12 episodes (increased from the usual 10) in the third season, with the added two serving as a two-part series finale.

“[Parker] and I held off announcing the news until now because we didn’t want the word ‘final’ to overshadow the fun of watching the season,” King then clarified. “It’s with great gratitude we thank all the viewers who have let these characters into their homes and their hearts over these many years.”

So, is the show canceled? Not technically. HBO Max didn’t pull the plug on the series, which Is unsurprising when you consider that “Sex and the City” is one of the premium network’s flagship shows. It could come back to terrorize audiences once again, but not any time soon, I guess! So, uh, what’s going on in this series in the first place, and why does it deserve to go away and never come back?

What’s been happening on And Just Like That… across three seasons?

Set years after the original “Sex and the City” and the two middling-to-terrible movies that followed, “And Just Like That…” reunites fans with Carrie Bradshaw (Sarah Jessica Parker), Charlotte York-Goldenblatt (Kristin Davis), and Miranda Hobbes (Cynthia Nixon), minus Kim Cattrall’s Samantha Jones. (Cattrall refused to participate in the project aside from one presumably costly cameo in the season 2 finale.) After killing John “Mr. Big” Preston (Chris Noth) with a rogue Peloton exercise bike in the series premiere, the show watches as Carrie embraces life in New York again.

If I tried to talk about every silly and frankly incomprehensible thing that happened on “And Just Like That…,” I’m afraid we’d be here all day or, honestly, maybe all week. There was the Che Diaz of it all, meaning that “Grey’s Anatomy” veteran Sara Ramirez’s stand-up comedian character was so thoroughly mocked by audiences that the series wrote them off after the end of season 2. Elsewhere, Charlotte’s storylines range from “her beloved husband has cancer” to “she has vertigo and keeps falling over,” while Miranda’s sexual awakening isn’t totally unsurprising — the woman wears a suit to a club in the first season of “Sex and the City,” for god’s sake — but it destroys her on-screen love Steve Brady (David Eigenberg) in the process and, until recently, presented her with a smorgasbord of terrible romantic options. (Her current girlfriend as of this writing, Dolly Wells’ Joy, is a great match for Miranda, finally.) The show is a mess, but it’s at least a fun mess.

With only two episodes left to air as of this writing, there’s not much story left for “And Just Like That…” to even tell. That’s fine. This show can go straight to jail without passing go or collecting $200. I’ll explain.

And Just Like That… is terrible and never should have existed at all — but I’ll miss it

My deep and unabiding hatred of “And Just Like That…” is well-documented at this point here on /Film (though, to be incredibly fair, I hate “Emily in Paris” a lot more). The truth is, “And Just Like That…” never had any reason to exist in the first place. The ending of “Sex and the City” is imperfect but largely fine, and even though the original series was really focused on the friendship between Carrie, Miranda, Samantha, and Charlotte — in a memorable moment, Charlotte asks the girls if maybe they’re each other’s real soulmates — the movies and “And Just Like That…” both put romantic relationships front and center in a way that feels untrue. Everyone on “And Just Like That” is either a weird caricature of their long-running character — poor Cynthia Nixon does some truly deranged nonsense as the once-sensible Miranda — or a weird caricature in general, as is the case with, I don’t know, every single individual under 40. (In “Better Than Sex,” a Gen Z-coded character reveals that she chose to keep an unexpected pregnancy only because the baby would be a “double Libra.” Nobody has ever talked like this, but whatever.)

Weirdly, though, I’ll miss this show. I’ll miss settling in for a weekly hate-watch that probably sends my blood pressure through the roof. I’ll miss texting my friends stuff like “Why are we talking about deodorizing armpit crystals two weeks in a row?!?!” I’ll miss Carrie’s bizarre sartorial choices that range from “pirate wench lost in New York” to simply “enormous hat.” Again, “And Just Like That…” never had any real purpose in this world, but it led to a lot of truly wild discourse, left us with some genuinely incredible memes, and gave gleeful hate-watchers like me around the world something to really sink our teeth into. Go gently into this good night, “And Just Like That…” — and may you never, ever come back.

Oh, “And Just Like That…” is streaming on HBO Max, and the two-part finale airs on June 7 and June 14, 2025, at 9 P.M. EST.

TV & Beyond on 2025-08-01 18:33:20

TV & Beyond on 2025-08-01 18:33:20

Deadline, with Krasinski not-so-subtly confirming it on Instagram as well, which you can see below. Get ready for another quiet, scary thrill ride in summer 2027.

While few details have been revealed, “A Quiet Place Part III” will arrive on July 9, 2027. It had previously been suggested that “A Quiet Place Part II” was the middle chapter in a trilogy. Now, it’s official. Krasinski will also serve as a producer on the sequel, alongside Allyson Seeger’s Sunday Night Productions and Michael Bay’s Platinum Dunes. No word yet on who will star, but it seems very likely that Emily Blunt, Millicent Simmonds, and Noah Jupe would return as the surviving members of the Abbott family. Information about the plot is also being kept firmly under wraps right now.

2018’s “A Quiet Place” was written by Scott Beck & Bryan Woods and Krasinski. The movie centers on a world ravaged by mysterious alien creatures who hunt by using sound, with the relatively few remaining humans learning to live life in total quiet — or die. Krasinski, then best known as Jim from “The Office,” was also tapped as the unlikely man to direct the film. It worked like gangbusters, with the horror flick earning rave reviews, ultimately bringing in $341 million at the global box office. After that, Paramount quickly set about turning it into a full-blown franchise.

There’s no word yet on how soon production could begin or who else might be joining the cast. But with the release date now set, odds are, we’ll be learning a lot more about “A Quiet Place Part III” in the coming months. 

Paramount wants to keep cashing in on A Quiet Place

Krasinski returned to direct “A Quiet Place Part II,” which was delayed due to the COVID-19 pandemic lockdowns but ultimately arrived in 2021. Despite a much larger budget and less-than-ideal conditions, it also became a huge hit, taking in nearly $300 million globally. That paved the way for last year’s prequel, “A Quiet Place: Day One,” which was directed by Michael Sarnoski (“Pig”). Once again, Paramount struck gold, with the film earning $262 million against great reviews.

To the surprise of no one, Paramount now wants to keep the cash flowing. But it’s not as though this is some hollow cash grab either. All of these movies have been met with acclaim in addition to open arms from moviegoers. “Part II” also left plenty on the table to explore. Plus, having Krasinski back after directing the family-friendly “If” makes it seem even more like it’s coming from the right place. What’s more, Krasinski had already been thinking about ideas for a “Part III” back when he was writing “Part II” several years ago. Speaking to /Film in 2020, Krasinski explained:

“I put the fires out in the distance in the first one, and I always thought to myself, ‘Wouldn’t it be cool if we got to explore where those fires lead to? Who’s on the other end of those fires?’ But I never thought that there would be a sequel. So then, when I actually came around to writing the sequel, I started with the fires. And so this time, I think when my brain started wandering of questions of what would this mean later on, I started to write down notes in case I could prepare myself for a third one.”

“A Quiet Place Part III” hits theaters on July 9, 2027.

TV & Beyond on 2025-08-01 17:00:00

TV & Beyond on 2025-08-01 17:00:00

by | Aug 1, 2025 | TV & Beyond Articles

the firing of Justin Roiland and Scott Marder coming aboard as showrunner. In spite of all that, “Rick and Morty” has continued to deliver funny, visually inventive, and otherwise great episodes, providing there is still life in the show even after a decade on the air.

Because of the comparatively muted discourse, combined with the general drop-off in media coverage of the show, “Rick and Morty” has been able to focus less on its continuity and more on simply telling hilarious and entertaining standalone stories. At the same time, it still occasionally delivers more “canon-heavy” episodes.

Case in point: Now that the tale of Rick Prime — the one responsible for the death of Rick’s wife, Diane, in every dimension — is over, the show has found time to bring Diane (Kari Wahlgren) back for one last story. In the season 8 finale, Rick (Ian Cardoni) purges every memory of his late wife from his brain, believing this will finally allow him to move on. However, in doing so, he causes a sentient memory of his younger self to hijack Beth’s (Sarah Chalke) brain and force her to rescue Diane. This results in an episode that does something unthinkable for this series: giving Rick a happy life … kind of.

Rick finally gets a happy life, kind of

Upon learning that Beth is about to die suicide so as to not lose the memory of her mother living inside her, Rick comes in to save her and reassures her that the real Diane would never want her daughter to do this. Memories are skewed versions of reality anyway. But still, Rick accepts his responsibility for not being there for his kid growing up. More importantly, he has a moment of compassion, as he decides not to delete the sentient memory of Diane and younger Rick. Instead, he allows them to live in their own little reality in a floating memory machine, allowing Memory Rick and Diane to reside happily together for the rest of their days.

It’s a very rare moment of empathy for Rick, as he allows for someone else, specifically another version of himself, to get the life he wishes he could have. Even just a season ago, Rick would have rather killed Memory Rick than allow someone other than him to be together with Diane again. But this Rick is different; this is a Rick who’s met Zack Snyder and James Gunn. He’s grown and changed over the years. Even if the “Rick and Morty” approach is to never let continuity take away from a good standalone story, the show has definitely developed and changed alongside Rick. Now, after eight seasons, it’s nice to know there’s at least one version of the character who’s not merely a messed-up, cynical alcoholic but is instead living happily out there in space.

“Rick and Morty” is streaming on HBO Max.