TV & Beyond on 2025-06-22 21:45:00

TV & Beyond on 2025-06-22 21:45:00

TV & Beyond on 2025-06-22 21:45:00

Of course, there are many variable factors to include here. Rotten Tomatoes, for instance, didn’t launch officially until 2000, and didn’t become a remarkable cultural force until about 2003 or 2004. The site has more reviews of newer films than of older ones, which is going to weight approval ratings. “Strange New Worlds,” for instance, has 87 reviews, while “Star Trek: The Animated Series” (ranked third, with a 94% approval rating) only has 18. Also, a lot of the newer shows’ approval ratings are based only on reviews of their first few episodes, and don’t stand as an overall litigation of the series in question, ex post facto. The ’90s shows were judged as a whole, while “Strange New Worlds” was judged by maybe five episodes. 

“Star Trek: The Next Generation” was fourth on the RT list with a 91% approval rating, while “Deep Space Nine” almost tied “Lower Decks” with 91% approval, only with fewer reviews. 

Curiously, less appealing Nu-Trek shows like “Star Trek: Discovery” and “Star Trek: Picard” still garnered a lot of positive response, at least initially. “Picard” has an approval rating of 89%, bringing it in at #7, while “Disco,” the first Nu-Trek series, is in 8th with an 84. These shows are hotly contested, and /Film has gone on record as to why they don’t work very well. Coming in behind them, rather bafflingly, was the original 1966 “Star Trek” series, boasting a mere 80% approval. That is based on 42 reviews, though, some of them vintage. 

At the bottom of the list is “Star Trek: Voyager” (76%) at #10, and finally, at #11, “Star Trek: Enterprise” (56%). 

Nu-Trek shows can brag about this: On average, they have a 91.8% approval. Fans of the two original shows can take solace in the knowledge that their average is 87%, but ’90s Trek fans will be hurt to learn that their four shows average out to 78.75%. 

TV & Beyond on 2025-06-22 21:30:00

TV & Beyond on 2025-06-22 21:30:00

TV & Beyond on 2025-06-22 21:30:00

“Captain America” was being developed by cartoon veteran Will Meugniot, his wife Jo, and storyboard artist Dave Simons. The series would’ve been set during World War II, as you can see from the one part of the project that was completed: a one-minute promotional video.

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The trailer depicts a version of Captain America’s origin, where scrawny Steve Rogers becomes a muscular paragon thanks to the super-soldier serum. But is this Steve Rogers? According to most reporting about the show, this Captain America’s real name was Tommy Tompkins. “Steve Rogers” was an alias the Army gave him as a cover. Puzzling choice, but sure!

The animation style of the promo resembles the 1999 cartoon “Spider-Man Unlimited” (that Saban and Meugniot worked on), with shading and proportions to suggest a comic brought to life. Appearing in the trailer are Cap’s sidekick Bucky and at least some of the Howling Commandos, plus their foes the Red Skull and Baron Wolfgang von Strucker.

One of the show’s writers would’ve been Steve Englehart, the defining “Captain America” comic writer who had Cap fight President Richard Nixon in 1974. Englehart has publicly shared the synopsis of an episode he wrote, “Skullhenge,” about the Red Skull trying to rearrange the Stonehenge formation in England into a giant swastika.

The choice to set “Captain America” in World War II makes sense. Cap was created by Jack Kirby and Joe Simon in 1940, months before the U.S. entered the war. Kirby and Simon drew an American flag-wearing hero punching out the Führer. Captain America has also struggled when taken out of a war setting; in those cases, he can sometimes feel like just another superhero. The best modern “Captain America” writers, like Englehart, use that discomfort to contrast Cap, the idealized Greatest Generation warrior, with the reality of America, but I digress.

But there’s a problem with the WWII setting. According to Englehart, the show wouldn’t have been allowed to call the bad guys “Nazis.” Apparently that was too charged for a kids show. This is not without precedent. The 1990s “X-Men” sanitized Magneto being a Holocaust survivor, depicting him instead as just a generic refugee. The sequel series “X-Men ’97,” aimed at the same but now older audience, had to rectify Magneto’s origin. Even “Avengers: Earth’s Mightiest Heroes” (which debuted in 2010) depicts the Allies fighting HYDRA and only HYDRA during WWII.

There’s been rumors over the years that this issue is what kept the show from getting off the ground, but comic historian Brian Cronin disputes that. Englehart and Cronin both attribute the cancellation of “Captain America” to money problems that Marvel was facing at the time; they’d filed for bankruptcy in 1996, experiencing a hard crash to the earlier ’90s comic boom. The effects of those financial struggles is shown in how this era of Marvel cartoons abruptly ended. By 1998, “X-Men” and “Spider-Man” were over and “Silver Surfer” and “Spider-Man Unlimited” ended after only 13 episodes. “Captain America” never got one episode.

These days, Marvel fans can debate which canceled ’90s/early aughts cartoon they’d rather have seen more: Meugniot’s “Captain America” or Mike Mignola’s “Thor.”

TV & Beyond on 2025-06-22 21:20:00

TV & Beyond on 2025-06-22 21:20:00

Barry, the bee, falling for a human woman. Oh, and at one point, Winnie the Pooh got shot. Yes, really.

It’s safe to say “Bee Movie” was a wild ride, and it’s predictably generated more than its fair share of memes in the years since its release. Despite all the buzz (okay, okay, I’ll stop), “Bee Movie” remains a standalone release with no sign of a sequel. However, Seinfeld might want to change that. As well as starring alongside a cast that included Chris Rock, Seinfeld co-wrote and co-produced “Bee Movie” for DreamWorks (that Winnie the Pooh scene was supposedly a shot at the studio’s rival, Disney). Now, Seinfeld seems to think the universe is telling him to give audiences what they’ve clearly been craving since 2007: “Bee Movie 2.”

Jerry Seinfeld is thinking about a Bee Movie sequel

Seinfeld recently took to Instagram to share a photo taken by Spike Feresten, one of his “Bee Movie” co-writers. The image showed a bee sitting on a tennis ball Feresten was playing with. While Seinfeld might be on the lookout for any cosmic signs, or Hollywood contracts, relating to bees, this one was particularly pertinent: A key scene in the original “Bee Movie” saw Barry clinging to a tennis ball for dear life after he landed on it in the middle of a game. Seinfeld captioned the image “Clearly a sign” and proposed a live-action sequel. (Jokingly, but you never know in Hollywood. This is the same guy who made a Pop-Tarts movie, after all.)

This isn’t the first time Seinfeld has addressed the possibility of a “Bee Movie” sequel. In a 2016 Reddit AMA, Seinfeld was asked about whether he would star in a “Bee Movie 2.” In his response, Seinfeld claimed he “considered it this spring for a solid six hours,” before revealing:

“I actually did consider it, but then I realized it would make Bee Movie 1 less iconic. But my kids want me to do it, a lot of people want me to do it. A lot of people that don’t know what animation is want me to do it. If you have any idea what animation is, you’d never do it.”

Apparently Seinfeld wasn’t that reluctant. Less than two months later, he shared a tweet asking whether there was “any interest” in “Bee Movie 2.” The responses sent one clear message: Bring back the bees. We’ll see if he actually listens.

TV & Beyond on 2025-06-22 21:10:00

TV & Beyond on 2025-06-22 21:10:00

Some may have the unpopular opinion that Thanos is a terrible on-screen villain, but you’ll change your tune once you realize how far he’s willing to go. Keep reading to learn about the worst things Thanos has ever done to see why his name should absolutely inspire fear in all. 

Thanos wipes out half of life

Let’s start off with Thanos’ most famous act of villainy — wiping out half of all life in the universe. He’s done it on a couple of occasions, starting with the comics where he did it to appease the embodiment of Death. Thanos was dead at the time, but Death resurrected him, seeing as there was an imbalance in the universe. She tasks Thanos with eliminating half of all life forms, and he’s more than happy to oblige.

Balance is also the name of the game when it comes to the MCU. However, this time, Thanos isn’t trying to win favor with Death, who would later be embodied by Aubrey Plaza in “Agatha All Along.” Instead, Thanos saw what overpopulation did to his home planet of Titan, and in a bid to prevent resources from dwindling throughout the cosmos, he wants to collect all six Infinity Stones to erase half of life. He’s successful by the end of “Avengers: Infinity War,” so even though Thanos wasn’t supposed to be the big bad of the MCU, he nonetheless made his mark.

He’s a terrible father

Given his penchant for death and murder, it’s perhaps not surprising to hear Thanos is a bad dad. “Infinity War” shows how little he cares for those he supposedly loves the most, as he tortures Nebula (Karen Gillan) to get information about the whereabouts of the Soul Stone. Once he learns it’s on Vormir, he takes Gamora (Zoe Saldaña) with him, as he’ll need to sacrifice a loved one to acquire it. This results in him tossing Gamora off a cliff so that he can wield the power he’s sought for so long. 

Comic Thanos is somehow even more awful. In the “Thanos Rising” storyline from Jason Aaron and Simone Bianchi, we learn how Thanos had children with many different women when he was younger. However, Death rears her head later in life and tells him to prove how he would belong only to her. This leads to Thanos traveling from world to world, killing all of his children as well as their mothers. It turns out simply being a deadbeat dad would’ve been the preferable outcome in these scenarios. 

Thanos kills his mother

Don’t invite Thanos to a family reunion. In addition to killing legions of his own children, he also kills his mother in Marvel canon. To be fair, this isn’t entirely unwarranted, as his mother, Sui-San, tried to kill Thanos after giving birth to him. From the moment he was born, his mother knew he possessed the Deviant gene, which explains his ugly appearance that makes him stand out amongst other Eternals, including his much more handsome brother, Eros. Sui-San was only stopped in killing the baby by A’Lars, Thanos’ father, and seeing what Thanos would become, maybe he should’ve just let her get it over with. 

It can’t be understated how much Sui-San truly despised her son. In “Eternals” #10 from Kieron Gillen, Esad Ribiç, Darren Shan, and Matthew Wilson, Sui-San delivers this line to her child: “I do not believe in unconditional love, Thanos. But know this: My hate for you is unconditional.” The exact method by which Thanos kills his mother varies depending on the specific comic issue you’re reading. Once, he kills her during a full-scale blitz on Titan. In “Thanos Rising” #2, he kills and dissects Sui-San to gain a better understanding of his vile nature. 

Thanos tortures a guy named David

“Thanos Annual” #1 contains several short tales showing off new sides to the Mad Titan. One of these is “What to Get from the Man Who Takes Everything,” from writer Christopher Hastings and artist Flaviano Armentaro, where Thanos visits an ordinary guy named David every year on his birthday to torment him and ruin his life in some new way. This includes killing his father, getting his girlfriend to break up with him, and flooding his apartment. 

When he’s a child, David tries to warn his parents about the “monster” about to visit him, but no one believes him. Why would they? Thanos is known across the cosmos as an omnicidal maniac. Why would he waste his time messing with some guy who isn’t even a superhero? There’s no rhyme or reason for anything Thanos does to David. He’s completely innocent, but it just goes to show the depths of Thanos’ depravity. He loves inflicting death and harm so much that he’ll choose one random human and make their life a living nightmare. 

He nukes Titan

In the MCU, Thanos proposes an idea to stunt accelerating overpopulation on Titan — kill half of the population. Naturally, the other residents of the planet reject such an idea and banish the genocidal maniac. As it turns out, only killing half of those on Titan is far preferable compared to what Thanos did in the comics.

The “Thanos Rising” storyline focuses on the supervillain’s origins, and in the last issue, he pays a visit to his home world after amassing a legion of followers and a heavy arsenal of nuclear weaponry. He lays siege to the planet, annihilating everything in his path before touching down on the planet personally to slaughter whoever remains. Titan remains a desolate wasteland for years after, with the only visitor being Thanos to walk amongst his destruction periodically. But the vile brute’s quest for death and blood wouldn’t end there, as he would soon set his sights on the remainder of the universe. 

Thanos keeps Hulk as a pet and feeds him his former friends

Thanos’ cruelty knows no bounds. “Thanos” Vol. 2 #15 from Donny Cates and Geoff Shaw shows off a new version of the Mad Titan. There are plenty of sci-fi heroes who could handily beat Thanos, but Earth’s Mightiest Heroes in the Marvel Universe were no match this time around for King Thanos.

The arc sees the present-day Thanos travel to the future, where he meets King Thanos, a future version of himself who successfully kills virtually every superhero. One of the few who remains is the Hulk, probably because he’s too difficult to kill, but he receives a fate far worse than death. Thanos keeps the big guy locked up in a dungeon, with his only food source being his fellow fallen heroes. Steve Rogers apparently screamed bloody murder while being consumed, suggesting that the heroes are being fed to the Hulk alive. And if you look carefully in the panel, you can see skeletal remains for Wolverine and Thor. It’s no wonder the only words the Hulk manages to get out are, “Kill… Hulk?”

He kills many Avengers in horrific ways

With so many storylines involving Thanos over the decades, it’s no surprise to see him racking up wins every once in a while. He’s even managed to kill various superheroes, and regardless of whether the hero stayed dead for a while or came back, it doesn’t make the panels any less shocking.

The “Infinity Gauntlet” arc is one of the most well-known Thanos stories, and Issue #4 from Jim Starlin, George Pérez, and Ron Lim sees him kill many heroes, including Captain America, Spider-Man, and Iron Man. He even traps Cyclops’ head in a see-through cube, cutting off his oxygen and slowly suffocating him.

“Civil War II” from Brian Michael Bendis and David Marquez begins with the Avengers ambushing Thanos, who punches a hole clear through War Machine’s chest. And “Thanos” Vol. 2 #10 from Jeff Lemire and Germán Peralta sees him clap down on Sam Wilson’s head, with the only sound emanating from his crushing skull being “Splort.” Thanos is one of the most feared beings in the universe for good reason. He’s actually successful in killing large swaths of people at a time, so you need to watch out before getting into a fight with him.

Thanos experiments with the cosmic cube

Marvel Comics kicked off the 2000s with a new line of stories set in the “Ultimate” universe, set on Earth-1610 rather than the mainline Earth-616. In this universe, Thanos is the draconian dictator of his own empire, making him bear a strong resemblance to the DC character, Darkseid, who could’ve been a Marvel character in a different timeline. And instead of collecting Infinity Stones, this Thanos variant wants to get his hands on the Cosmic Cube.

He possessed it millennia ago and used it to bend entire populations to his whim. This included killing off large groups of people all at once or even keeping some in stasis, where they’re still conscious of what’s happening but are unable to move. Fortunately, the Cosmic Cube gets destroyed, but Thanos is nothing if not determined to get what he wants. That’s when he turns to Reed Richards of the Fantastic Four to make him a new Cube. If there’s one constant across the multiverse, it’s that Thanos is always on the hunt for various knick-knacks and doodads.

He slaughters a whole army for no reason

Many have died at Thanos’ hands over the years. Most of the time, they’re trying to prevent Thanos from exterminating a planet, but when it comes to the Ovin Mercenaries, they were just kind of minding their own business. 

“Cosmic Powers” #1 from Ron Marz, Ron Lim, and Jimmy Palmiotti opens with Thanos overlooking a slaughtered army. Only one being remains, and Thanos makes quick work of them. There’s no context of the beginning of what exactly transpired, so it makes sense one might assume Thanos came to conquer this planet or something. But then we learn the truth — Thanos was bored. 

One of Thanos’ robotic servants asks if the army proved a worthwhile “diversion,” which seems like an insulting term for those as feared and powerful as the Ovin Mercenaries. But Thanos makes clear that they weren’t even fun for him to defeat: “They were as cattle led dumbly to the slaughter… And proved hardly worth my effort. It’s one thing to be killed by Thanos after a glorious battle to protect loved ones. But in this case, numerous beings died because Thanos had a free afternoon he needed to fill. 

Thanos destroys Wakanda

The Avengers frequently leave Earth to deal with intergalactic threats on other worlds, but it would probably be useful to leave at least some strong heroes on the home world just in case. The “Infinity” arc sees Thanos ultimately achieve his goal of conquering Earth, and part of that involves blowing up Wakanda. 

Thanos, along with the Black Order, annihilate Wakanda from the sky after Namor tells them that’s where the Infinity Gems are located. Many within Wakanda’s army are left for dead, and to add insult to injury, Thanos wasn’t even present during its destruction. He saw Wakanda as inconsequential enough to have his underlings do the dirty work, but it’s a horrific sight nonetheless. 

The “Infinity” arc began in 2013, and it definitely appears to be a strong influence on the climax to “Avengers: Infinity War” when the superheroes battle alongside the Wakandans against Thanos’ army in the same setting. Coincidentally enough, the reason the army arrives in Wakanda is also due to an Infinity Stone, namely the Mind Stone located in Vision’s (Paul Bettany) head.

Thanos makes Deadpool immortal out of jealousy

On the surface, Thanos making Deadpool immortal sounds like a good thing, and it may objectively be the best thing Thanos has ever done, which isn’t exactly saying much. However, his reasoning for making Deadpool immortal proves his every bit of a psychopath as ever before.

It’s common knowledge by now that Thanos has the hots for Death, but Death doesn’t always like him back. In fact, there’s one storyline in the “Deadpool” comics where Death actually has a crush on the Merc with the Mouth. It’s a reciprocated feeling with Deadpool liking Death, too. Upon learning this, Thanos assumes the role of most jealous stalker ever by cursing Deadpool with never being able to die so that he and Death are forever separated. Deadpool has done his share of terrible things, too, but at least he’s funny about it. Thanos is simply depraved. 

Thanos punches through his own father

As previously mentioned, Thanos’ father, A’Lars, aka Mentor, saved his life as a newborn baby. Unfortunately, saving Thanos’ life doesn’t mean much to the Mad Titan, and it certainly doesn’t exempt one from mercy. 

“Thanos” Vol. 2 #2 from Jeff Lemire and Mike Deodato Jr. sees Thanos come down with a mysterious illness. He turns to his father for help developing a cure, seeing as Mentor possesses a genius-level intellect. But really, how smart can he be if he didn’t realize everyone would be better off if Thanos died as a baby?

Mentor’s unable to come up with a cure, and in a fit of rage, Thanos punches directly through his father’s chest. But right before Thanos’ attack, Mentor makes it known that he wished he had smothered Thanos as a baby and that his only regret is that he won’t get to watch Thanos die personally. And you thought you had messy family drama… 

He experiments on his fellow Titanians

An early sign of serial killers is how they often kill small animals in childhood before moving onto human victims. Thanos is no different, as he’s effectively a serial killer on an intergalactic scale and got started on his journey to universal annihilation at a young age. 

“Thanos Rising” depicts his origin, which began in earnest when he was a teenager, and he and some friends check out a cave that collapses on them. He finds his friends devoured by lizards days later, and he goes back to kill the lizards as revenge. But this also kicks off his fascination with death, and he soon moves onto Titanians to study. He abducts, kills, and dissects two lovers who were minding their own business in an attempt to understand his own twisted nature. The second issue of the storyline even contains this cold passage: “Among the Eternals of Titan, who had known peace for eons, it was said there did not even exist the concept of murder. Until the one called Thanos invented it.” 

He forces planets to offer him child tributes

“Thanos Rising” shows Thanos killing all of his children, but at least one managed to evade his wrath. Naturally, this is something a perfectionist like Thanos can’t let slide, so he demands his Black Order to go planet to planet in search of “tributes,” meaning all of a given planet’s young males. It’s a scorched earth attempt to ensure his lost son doesn’t eventually threaten his quest for power even though (surprise) it doesn’t work out for Thanos in the end. 

Thanos must’ve killed thousands, if not millions, of young men just to make sure his son never threatened him, and the only funny thing about this situation is that the Mad Titan still failed. It turns out the son he was looking for was half-Titan, half-Inhuman, and goes by the name Thane. The character actually plays an instrumental role in defeating Thanos and the Black Order at the end of the “Infinity” arc.

He creates clones of himself that almost wipe out the universe

What’s worse than one Thanos? How about a whole army of Thanos clones infused with the powers of some of the most powerful entities in the universe?

The “Infinity Abyss” storyline from Jim Starlin and Al Milgrom reveals how Thanos has been creating clones of himself for centuries. But these aren’t any old Thanosi (the term for multiple versions of Thanos), as he would give them some of his foes’ abilities, like Professor X and Galactus. This was done so that he could better study their powers and figure out new ways to defeat them. 

Somehow, these clones are even more into the idea of death and destruction than Thanos Prime, and when they’re accidentally released, they set out to end all life. To his credit, Thanos teams up with a few superheroes, including Spider-Man, Adam Warlock, and Doctor Strange, to get the Thanosi under control. He may have done good in the end, but it was only to clean up a mess he created in the first place. Thanos can’t even do something good without there being a massive asterisk next to it.

TV & Beyond on 2025-06-22 21:00:00

TV & Beyond on 2025-06-22 21:00:00

record-breaking series.

The writers and stars of “Always Sunny” often derive some of the stories that take place in certain episodes from their own experiences. Given that each member of the gang is played by actors who, for all intents and purposes, share no similarities in their behaviors, applying certain scenarios from their real lives to the everyday misadventures of the Paddy’s Pub gang is ripe for some great comedy. In the case of Glenn Howerton, who plays the sociopathic Dennis Reynolds (although Howerton would disagree with that sentiment), his frustration on vacation helped inspire a notable episode from season 7.

Glenn Howerton was shushed by a rude man in Italy

In the “Always Sunny” season 7 episode, “The ANTI-Social Network,” the gang visits a trendy new gin bar and settle into one of their usual arguments, only to find themselves being shushed by a stranger. Naturally enraged by this experience (to be fair, the gang is almost always enraged by anything that inconveniences them), Mac (Rob McElhenney) and Dee (Kaitlin Olson) use the internet to try and find the man, while Dennis and Charlie (Charlie Day) hunt him down with their own methods. Elsewhere, Frank (Danny DeVito) creates a viral video to promote Paddy’s Pub, using one of his trademark alter-egos, Dr. Mantis Toboggan.

The gang’s fixation on this petty grievance was partially inspired by Glenn Howerton’s own experience on a trip to Italy that he and his wife took with some friends. Howerton reflected on “The ANTI-Social Network” in an interview with Vice:

“That was based on a real thing that happened to me. Back in 2010, my wife and I were traveling with two of our close friends, Tom and Lindsay, in Italy. We were in this beautiful little Italian restaurant grabbing lunch and we started getting into the wine. I think we were being really loud, but we just didn’t realize it. We’d had probably two or three bottles of wine and it’s the middle of the day. And all of the sudden, we heard this ‘Shhhhhh!’ And we looked over, and it was a tourist couple.

“Granted, we were definitely being a little too loud, but I just remember we were like, ‘Did I just get shushed by a grown man? I just got shushed by a grown man!’ Come over to the table and say, ‘Hey, I’m sorry, we’re trying to enjoy a nice meal, can you keep it down a bit?’ Of course we would. But to just shush us? I’m a grown man!”

It’s Always Sunny in Philadelphia season 7 is one of the series’ best

“The ANTI-Social Network” stands out as one of the best episodes of season 7 of “It’s Always Sunny in Philadelphia,” which says a lot given that this season is one of the series’ most memorable in its entire 20-year run. This was a season that included some notable classics such as “The Gang Goes to the Jersey Shore,” which was a send-up of the MTV reality series that was a pop culture phenomenon at the time, as well as “CharDee MacDennis: The Game of Games,” which featured an original board game created by the characters that features one unforgettable gag after another, and the two-part season 7 finale, “The High School Reunion,” where the Gang confront their teen years, culminating in a hilariously humiliating dance sequence.

But perhaps the most memorable aspect of season 7 of “It’s Always Sunny in Philadelphia” was the sudden change in show creator Rob McElhenney’s physical appearance. McElhenney put on 60 pounds of fat for comedic effect. He made the decision after watching a popular network sitcom and noticing that the cast members appeared healthier and more attractive as the years went on. This was not reflective of most viewers’ real-life experiences, given that these successful television stars can afford to have personal chefs and Hollywood trainers to maintain their physique. Given the nature of “It’s Always Sunny in Philadelphia,” McElhenney felt that if any show were to subvert that trend, it would be his. (McElhenney wanted his fellow castmates to follow suit, but they declined.) 

TV & Beyond on 2025-06-22 20:45:00

TV & Beyond on 2025-06-22 20:45:00

“Fallen Kingdom,” literally blew up Isla Nublar and helped set up a world where dinosaurs and humans would be forced to co-exist. 2022’s “Dominion” never fully committed to what we thought was going to happen: dinosaurs rampaging in cities across the world. So, why didn’t that happen, exactly?

In a recent interview with The Hollywood Reporter, Trevorrow was asked about the lack of dinosaurs attacking cities in the “Jurassic World” trilogy. Though “Dominion” largely works to isolate the dinosaurs once again, instead focusing on giant locusts for much of the run time, it does feature some sequences cut from this cloth. So, why not commit to the idea entirely? Trevorrow did put a great deal of thought into this, it turns out. Here’s what he had to say about it:

“I always applied the same rules to dinosaurs as I would to real animals. When a tiger is set loose in a city, they capture it pretty fast. So the idea that these wild creatures would even want to come close to a city was a question I would always ask, and we managed to find ways to make it make sense. I think dinosaurs running wild in the streets of a city does take a bit of a step away from what Michael Crichton created, and that was always my feeling. But we did find ways for them to interact with our world as comprehensively as possible.”

“When I say that, it’s not just the films; it’s our animated shows as well. They did a lot of that, especially the new one [Jurassic World: Chaos Theory],” Trevorrow added. To Trevorrow point, Netflix’s animated “Chaos Theory” does feature much more of this “dinosaurs in the real world” stuff. That series was preceded by the much-beloved “Jurassic World: Camp Cretaceous.”

The Jurassic World movies didn’t want to stray too far from the source material

Trevorrow is certainly trying to apply some logic to the notion of dinosaurs suddenly being brought back from the dead 65 million years later to live in our modern world. The “Jurassic World Dominion” prologue showed a T-rex rampaging through a drive-in. Yet, there were people tasked with bringing it down. Some order was in place. Dinosaurs weren’t totally ruling the Earth, they were just causing some tough-to-contain chaos.

The problem is that “Fallen Kingdom” did set a certain expectation for viewers. Love or hate the movie, it literally blew up the dinosaur’s island home to get them onto the mainland. There was even a credits scene that featured pterodactyls looming over Las Vegas. We also had the surprisingly great live-action short “Battle at Big Rock” that leaned into the “dinosaurs mixing with humans” chaos. Yet, it seems Trevorrow never wanted to stay too far from the source material laid out by author Michael Crichton, whose books were the genesis of this multi-billion-dollar movie franchise.

In fairness, Steven Spielberg’s “The Lost World” strayed very far from the source material to deliver the grand finale in which a T-rex is let loose in San Diego. That movie is not particularly well regarded, by and large, within the scope of this franchise. Maybe Trevorrow was trying to avoid similar pitfalls. That’s all well and good, but it still makes one wonder why they would bother doing all of that work to set the stage for a “dinosaurs in cities” movie that never came to be.

As for the future, this summer’s “Jurassic World Rebirth” will be headed to an unexplored island, once again seeking to isolate the dinosaurs, rather than have them loose all over the world. For better or worse, we may never get to see one of these movies that largely takes place in heavily populated areas, even though, for a time, it really seemed like that’s where we were headed.

You can grab the “Jurassic World” trilogy on 4K from Amazon.