TV Review: ‘Twisted Metal’ Season 2

TV Review: ‘Twisted Metal’ Season 2

(L to R) Tiana Okoye as Dollface, Anthony Mackie as John Doe in ‘Twisted Metal’ Season 2. Photo: Pief Weyman/PEACOCK.

‘Twisted Metal’ Season 2 receives 7.5 out of 10 stars.

Arriving on Peacock on July 31st with the first three episodes (and new episodes landing every Thursday through August 28th), ‘Twisted Metal’s second season drives in with the same level of chaotic brio as with the first.

Starring Anthony Mackie (‘Captain America: Brave New World’), the cast also includes Stephanie Beatriz (‘Encanto’), Anthony Carrigan (‘Barry’), Saylor Bell Curda (‘Walker’) and Tiana Okoye (‘The Valet’).

Related Article: Who Will Be on Sam Wilson’s Avengers Team in ‘Avengers: Doomsday’?

Initial Thoughts

(L to R) Mike Mitchell as Stu, Joe Seanoa as Sweet Tooth in 'Twisted Metal' Season 2. Photo: Pief Weyman/PEACOCK.

(L to R) Mike Mitchell as Stu, Joe Seanoa as Sweet Tooth in ‘Twisted Metal’ Season 2. Photo: Pief Weyman/PEACOCK.

First launched in 2023, ‘Twisted Metal’ is a wild, wacky, violent and creative adaptation of the PlayStation vehicular combat game franchise.

Can Season 2, which returns stars Anthony Mackie and Stephanie Beatriz, alongside hulking killer clown character Sweet Tooth and a host of new characters keep up the momentum?

Script and Direction

Richard De Klerk as Mr. Grimm in 'Twisted Metal' Season 2. Photo: Pief Weyman/PEACOCK.

Richard De Klerk as Mr. Grimm in ‘Twisted Metal’ Season 2. Photo: Pief Weyman/PEACOCK.

Overseen by showrunner Michael Jonathan Smith, the second season of ‘Twisted Metal’ smartly doubles down on the crazed style and tone that made the first work.

This is never going to be Shakespeare, but the writing team deftly juggles over-the-top violence and a few more emotional twists. The introduction of a new group of racers in a tournament storyline is also handled well.

Plus, if you were hoping that the directorial side of things was still as visually inventive and entertaining: good news!

Cast and Performances

(L tor R) Richard De Klerk as Mr. Grimm, Saylor Bell Curda as Mayhem, Andre De Kim as Chuckie Floop, Tiana Okoye as Dollface, Stephanie Beatriz as Quiet, Johnno Wilson as Dave, Anthony Mackie as John Doe, Mike Mitchell as Stu, Tyler Johnston as Deacon, Patty Guggenheim as Raven, Joe Seanoa as Sweet Tooth in 'Twisted Metal' Season 2. Photo: Pief Weyman/PEACOCK.

(L tor R) Richard De Klerk as Mr. Grimm, Saylor Bell Curda as Mayhem, Andre De Kim as Chuckie Floop, Tiana Okoye as Dollface, Stephanie Beatriz as Quiet, Johnno Wilson as Dave, Anthony Mackie as John Doe, Mike Mitchell as Stu, Tyler Johnston as Deacon, Patty Guggenheim as Raven, Joe Seanoa as Sweet Tooth in ‘Twisted Metal’ Season 2. Photo: Pief Weyman/PEACOCK.

Mackie and Beatriz continue to make a complementary, their banter and relationship issues relatable in a world gone mad.

And yes, while Sweet Tooth is still a largely one-note character, that note is an amusing one.

Of the new recruits, Saylor Bell Curda makes the most impact as Mayhem, a young woman who crashes into our heroes’ lives and serves to bring some extra tension.

Anthony Carrigan, meanwhile, is fun as loopy guru Calypso, who throws the tournament on the promise of granting the winner’s big wish.

Neve Campbell’s Raven has been written out (budget cuts, which also explains a move from New Orleans to Canada), but the introduction of a whole group of Ravens, led by Patty Guggenheim (who stole scenes as Madisynn in ‘She Hulk: Attorney at Law’) works superbly to replace her.

Final Thoughts

Stephanie Beatriz as Quiet in 'Twisted Metal' Season 2. Photo: Pief Weyman/PEACOCK.

Stephanie Beatriz as Quiet in ‘Twisted Metal’ Season 2. Photo: Pief Weyman/PEACOCK.

The second lap for ‘Twisted Metal’ is just as much fun as the first, and fans can be reassured that the flare for destruction tempered by humanity is just as present here.

In a world where video game adaptations are on an upswing, this deserves to score more attention, even if it’ll never reach the depths of, say, ‘The Last of Us’ (not that it aims to).

Twisted Metal

“The tournament is here. Game on.”

What’s the plot of ‘Twisted Metal’ Season 2?

Following the revelations in the season one finale, John (Anthony Mackie) and Quiet (Stephanie Beatriz) find themselves entering the deadly Twisted Metal tournament, a sinister demolition derby hosted by a mysterious man known as Calypso (Anthony Carrigan).

As they try to survive an onslaught of dangerous new foes and familiar faces alike, including the murderous clown Sweet Tooth, things get complicated for John when he reunites with his long-lost sister, the vigilante Dollface (Tiana Okoye).

Who stars in ‘Twisted Metal’ Season 2?

  • Anthony Mackie as John Doe
  • Stephanie Beatriz as Quiet
  • Joe Seanoa as Sweet Tooth
  • Will Arnett as Sweet Tooth (voice)
  • Anthony Carrigan as Calypso
  • Tiana Okoye as Dollface
  • Saylor Bell Curda as Mayhem
Anthony Carrigan as Calypso in 'Twisted Metal' Season 2. Photo: Pief Weyman/PEACOCK.

Anthony Carrigan as Calypso in ‘Twisted Metal’ Season 2. Photo: Pief Weyman/PEACOCK.

Video Game Adaptations Similar to ‘Twisted Metal’:

Buy Anthony Mackie Movies On Amazon

TV & Beyond on 2025-07-29 20:00:00

TV & Beyond on 2025-07-29 20:00:00

“The Simpsons” is the longest-running primetime scripted series of all time, surpassing shows like “Gunsmoke” and other classics that dominated the airwaves for decades. What’s most impressive, however, is that Matt Groening’s animated sitcom about the titular family and the residents of Springhill achieved this milestone in 2018, so it’s safe to say that all current and future series have some catching up to do. While the “Simpsons” writers know they can’t compete with their own show’s classic era, they also have no desire to say goodbye to Homer, Marge, Bart, Lisa, and Maggie anytime soon, either — well, not unless tragedy befalls the cast and crew.

As documented by ComicBook.com, Groening was present at this year’s San Diego Comic-Con, where he discussed the future of the show and when it could end. The series’ creator spoke candidly on the matter, revealing the dark inevitability that will eventually mark the end of one of television’s most prized dynasties. In his own words:

“I honestly thought 36 was where we were going to end it. No, there’s no end in sight. We’re going to keep going. We’re going to go until somebody dies.”

Now that “The Simpsons” is contractually guaranteed to last until season 40, viewers can look forward to plenty more adventures in Springfield — assuming that no one passes away, anyway. That said, Groening’s aforementioned words sound like those of a creator who is content to make new episodes for as long as there is an audience for him, but what keeps him motivated to work on the series after all these years?

Matt Groening explains the reason for The Simpsons’ longevity

If you scroll through the many, many lists of the best episodes of “The Simpsons” out there, you will find a diverse bunch of stories that aren’t afraid to go to some wild places. From the “Treehouse of Horror” Halloween specials to the awesome parody episodes, this series isn’t beholden to traditional family sitcom formulas — and that is why it remains fun almost four decades into its run. While speaking at the Annecy International Animation Film Festival earlier this year (via Deadline), Groening revealed that having creative freedom makes returning to Springfield exciting for the cast and crew. However, the key ingredient to the show’s success — and to keeping its makers’ creative juices flowing — is being able to think outside of the box. As he put it:

“We don’t think about being responsible, but our main motivation is to surprise ourselves. If we surprise ourselves, then we think we can surprise the audience. […] As it goes on, we become known for different kinds of jokes. […] We have parodies of cinema and references to books, TV shows, and personal autobiographical anecdotes. The sum total of the show is that contribution of everyone involved.”

THe 800th episode of “The Simpsons” is scheduled to air next year, and it promises to be another historic television event. How long the beloved cartoon goes on for in the grand scheme of things, however, remains a mystery — but it’s great to know that Groening and his colleagues are still having a good time behind the scenes. As long as they are enjoying themselves, it’s highly likely that it will keep spawning more hilarity from Homer and the gang.

“The Simpsons” airs on Fox and streams on Disney+.

TV & Beyond on 2025-07-29 19:00:00

TV & Beyond on 2025-07-29 19:00:00

FlixPatrol, director Timur Bekmambetov’s “Wanted” was trending in Netflix’s top 10 charts all of last week, hovering between the seventh and ninth spots. It was, admittedly, no competition for Adam Sander’s “Happy Gilmore 2,” which is confidently in the number 1 spot, but it’s still not bad for a movie that is nearly two decades old. The film starred a then-rising actor James McAvoy (“Atonement”) in the lead role alongside Angelina Jolie, who was arguably at or near the height of her powers as an A-list star at the time.

“Wanted” specifically centers on Wesley (McAvoy), an unhappy and seemingly ordinary young man who, upon meeting a mysterious woman named Fox (Jolie), is introduced to the Fraternity, a secret society of assassins led by the enigmatic Sloan (Morgan Freeman). In time, Wes learns that his long-lost father was actually killed while working for the Fraternity, and he has been selected to find the person who committed the murder.

Audiences largely remember the movie for its inventive curved-bullet physics, along with its kinetic shootout scenes. It was very much of its time and essentially sold as being “‘The Matrix,’ but with assassins in the real world.” This was also before McAvoy played a younger Charles Xavier in 2011’s “X-Men: First Class,” which elevated him to another level of stardom. At the time, though, “Wanted” was his most high-profile blockbuster. Clearly, audiences hold something of a soft spot for it. Having a cast that also includes the likes of Jolie and Freeman certainly doesn’t hurt the re-watchability factor either.

Wanted is the sort of movie designed to thrive on Netflix

We tend to sort of expect comic book movies to have a massive cultural impact these days. Even the ones that fail seem to be pervasive in many ways. But 2008 was a very different time. “Iron Man” came out that same year and kicked off the Marvel Cinematic Universe. It was also long before streaming would become the dominant way to watch stuff at home, back when the box office had a much stronger grip on the media landscape. A film could just be a big hit in its day and sort of fade away after that without having to be an “event.”

Such was the case with “Wanted.” It made $342 million at the box office against a $75 million budget. Those are numbers that would possibly start a damn cinematic universe today. Yet, we never actually got a sequel, even though “Wanted 2” was at least discussed at various points. That’s part of what makes it the perfect candidate to become a hit on Netflix in the here and now.

Time and time again, no matter how much money Netflix spends on original movies, films like “Wanted” frequently end up trending in the streamer’s top 10. Even Scarlett Johansson’s 2014 sci-fi flick “Lucy” recently found similar success. There are nearly countless other examples, but for all of streaming’s attempts to generate buzzy hits, former theatrical one-off successes that didn’t appear to have an enduring cultural impact consistently seem to attract viewers en masse years after their original releases.

Is that because people get tired of scrolling and want something familiar? Is it the result of a natural response to seeing a familiar, well-liked star and wanting to put their movie on in the background? Is it because people actually love “Wanted” more than we realize? Ultimately, it’s probably a combination of all those things that’s led to “Wanted” — and, by extension, other older titles like it — gaining a new lease on life thanks to Netflix.

You can also grab “Wanted” on 4K, Blu-ray, or DVD from Amazon.

TV & Beyond on 2025-07-29 18:46:10

TV & Beyond on 2025-07-29 18:46:10

all the subplots that had to be cut for time when adapting to two-hour-plus movies can now be dramatized. Another is that Warner Bros. wants to keep monetizing the “Harry Potter” IP for nostalgia, and the “Fantastic Beasts” prequel trilogy just wasn’t doing it. Yet another is that the franchise’s one surefire potential money-maker, a big-screen adaptation of the play “Harry Potter and the Cursed Child” with the original actors all grown up, is simply unlikely to happen now that author J.K. Rowling is publicly feuding with previous stars Daniel Radcliffe, Rupert Grint, and Emma Watson over the issue of trans rights.

Like it or not, the remake is now inevitable, though its ability to last for eight seasons may not be. So let’s take a look at who has actually been cast for the update, and see if there’s any hope the show can equal the movies.

Dominic McLaughlin as Harry Potter

Prior to being cast as the boy who lived, Scottish actor Dominic McLaughlin’s only other onscreen acting credit was for the upcoming movie “Grow.” Starring “Bridgerton” Queen Charlotte actress Golda Rosheuvel, it’s the tale of a curmudgeonly pumpkin farmer with a secret heart of gold, whose participation in a major agricultural contest is stymied by the arrival of her orphaned niece Charlie (Priya-Rose Brookwell). Charlie turns out to have a special bond with plants that might significantly help in the contest.

McLaughlin’s role is apparently not a large one, but it brought him into contact with Nick Frost, with whom he’ll be spending a lot of time on the “Harry Potter” set. In “Grow,” Frost will play a pumpkin pundit named Arlo, while Jeremy Swift from “Downton Abbey” will portray a pumpkin mad scientist. The family comedy will be an original movie for Britain’s Sky networks.

Arabella Stanton as Hermione Granger

Unlike Emma Watson, who had only ever acted in school plays before scoring the role of a lifetime as Hermione, Arabella Stanton, not yet a teenager, has already had two major London West End stage roles to her name. She was the lead in “Matilda: the Musical” for a season, and one of several young actors who played Control in a recent production of Andrew Lloyd Webber’s “Starlight Express.”

Though the recent Harry Potter play “The Cursed Child” made a big deal of casting a Black actress for Hermione, with J. K. Rowling’s approval, that doesn’t look to be the case here. In casting an already experienced actress, however, the series does seem — in this part as well as others, which we’ll get to — to be casting actors who look like actors, rather than going more natural for the kids.

Alastair Stout as Ron Weasley

Like Rupert Grint, Alastair Stout was a virtual unknown when cast in the key lead role of Ron Weasley, Harry’s best friend and Hermione’s future husband. Intrepid Harry Potter fans have managed to dig up a TV commercial for Jersey Royal potatoes in which he appears briefly, identifiable primarily by his signature red hair. So they’re going for a natural redhead, at least. Like his costars, he also looks more like a traditional child actor than just a natural, awkward kid.

John Lithgow as Albus Dumbledore

John Lithgow could never have landed a major role in the original “Harry Potter” movies. Back then, J.K. Rowling insisted that all the major actors be British or Irish. Having played British icon Winston Churchill in a mostly otherwise British-cast “The Crown” on Netflix (above), however, Lithgow is practically an honorary Englishman. He has also played Roald Dahl onstage, and his natural North Atlantic accent isn’t too far off to be adaptable to English. As for experience playing ancient, magical mentors, he voiced Yoda in NPR’s radio drama adaptations of the “Star Wars” trilogy.

Lithgow comes to the role of Hogwarts headmaster Albus Dumbledore with an advantage that Richard Harris and Michael Gambon did not (though Jude Law did) — the knowledge of Rowling’s after-the-fact reveal that the character is gay. Among many other things, Lithgow is known for an inspiring 2014 portrayal of a gay man in 2014’s “Love Is Strange,” and a gay grandpa to a nonbinary child in this year’s “Jimpa.” One of his notable breakthrough movie roles, for which he was Oscar-nominated, was as a trans woman, Roberta Muldoon, in 1982’s “The World According to Garp.” Maybe don’t tell that to Rowling, whose anti-trans comments are condemned by many previous “Harry Potter” stars.

Paapa Essiedu as Severus Snape

It’s hard to imagine anyone matching up to Alan Rickman’s masterful performance as the morally ambiguous Professor Snape, easily the highlight of the previous films. As such, it’s no surprise that the new production has gone in a completely different direction, with Ghanaian East Londoner Paapa Essiedu. A Royal Shakespeare Company alumnus, Essiedu has played Hamlet and King Lear onstage, and Demetrius in a TV adaptation of “A Midsummer Night’s Dream.” He made a name for himself on the U.K. crime series “Gangs of London” and the black (and Black) comedy series “I May Destroy You.”

U.S. viewers may recognize him the most either from his small role as a dangerous boyfriend in Alex Garland’s “Men,” or from the “Black Mirror” episode “Demon 79” (above), in which he plays a demon named Gaap, who takes a form inspired by Boney M’s Bobby Farrell. Gaap is awoken from a talisman and must persuade an ordinary department store employee to murder three people to prevent the apocalypse.

Casting Snape as a Black man may add a new subtext to his pining for Harry’s mother, Lily — will viewers infer that societal anti-miscegenation prejudices were at play? Will the show lean into it? Is there any way to avoid such perceptions? We’ll find out.

Janet McTeer as Minerva McGonagall

Janet McTeer has been nominated for two Oscars, first as the itinerant mother Mary Jo in 1999’s “Tumbleweeds,” and as the male-presenting painter Hubert in the 2011 period drama “Albert Nobbs,” about a butler played by Glenn Close who is also secretly female but living as a man to make more money. McTeer is a Tony award-winner for 1997’s “A Doll’s House,” and an Emmy nominee for playing Clementine Churchill, wife of Winston, on HBO’s “Into the Storm.”

Genre fans may recognize her more recent portrayal of Jessica Jones’ super-powered mother, Alisa, on the Netflix Marvel series. She also appeared in “Mission: Impossible — The Final Reckoning” as Walters, and in “The Menu” as food critic Lillian Bloom. On TV’s “Ozark” (above), she plays cartel attorney Helen Pierce. As she often plays Americans, many viewers may not even know she’s English.

McTeer is a graduate of the Royal Academy of Dramatic Art and the Royal Exchange Theatre. She’s also no stranger to young adult fantasy franchises, having played Edith Prior in two of the “Divergent” movies.

Nick Frost as Rubeus Hagrid

Robbie Coltrane, the portly, pleasant, comic character actor, was perfect for the original role of Hagrid, the awkward but kind-hearted half-giant with an irresponsible collection of dangerous pets. Nick Frost is the same kind of actor as the late Coltrane, best known for his roles alongside Simon Pegg in Edgar Wright’s thematic “Cornetto Trilogy” of “Shaun of the Dead,” “Hot Fuzz,” and “The World’s End.” He reteamed with Pegg for the comedy “Paul,” and Steven Spielberg’s “The Adventures of Tintin,” where the duo played detectives Thompson and Thomson. 

As the voice of pirate droid SM-33 in “Star Wars: Skeleton Crew,” Frost showed that he could work with kids as both a deadly friend and occasionally dangerous foe. If anyone can replace Coltrane, he’s the right type for it. He also has experience with fantasy creatures, in his recent role as Gobber the Belch in the live-action “How to Train Your Dragon.”

Frost began his acting career in corporate training videos, which arguably prepared him for a background in the kind of safety instructions Hagrid should be giving … even though he sometimes falls short. He has been making a big promise about his Hagrid performance, but luckily, he’s the sort of actor who generally delivers.

Luke Thallon as Quirinus Quirrell

Luke Thallon is primarily a stage actor, who originally wanted to be a dentist. That may be appropriate for Quirinus Quirrell, who needs more than one bad tooth removed from his head. As it’s surely no spoiler to say at this point, Quirrell’s turban is covering up the face of Voldemort, a dramatic reveal that predated the campy horror cult classic “Malignant.” Rumor has it that a higher-profile actor could be cast as the Dark Lord, but won’t be named until later; then again, Ralph Fiennes didn’t play the character until several movies in. Thallon could potentially play him for now, as the tumor-head version doesn’t have to look or sound the same as the eventual full-body incarnation.

Paul Whitehouse as Argus Filch

Paul Whitehouse is getting a second chance at Hogwarts glory, as he originally played Sir Cadogan, a living painting in “The Prisoner of Azkaban,” but had his scenes deleted. Now re-cast as cantankerous groundskeeper Argus Filch, he can’t be cut from the story, though at 67 at the time of writing and with a heart condition, he needs his health to hold out.

A popular Welsh comedian, Whitehouse has done sketch comedy shows like “The Fast Show,” the conversational reality comedy series “Mortimer & Whitehouse: Gone Fishing” (above), and feature films including “The Death of Stalin” and “The Personal History of David Copperfield.” As a voice actor, he has worked with Tim Burton twice: once as the March Hare in “Alice in Wonderland,” and as multiple voices in “The Corpse Bride.” He currently appears on Channel 4’s “The Change,” a comedy starring, written by, and created by Bridget Christie about menopause.

Lox Pratt as Draco Malfoy

Lox Pratt will appear as the antagonist Jack in an upcoming BBC remake of “Lord of the Flies,” a story famously involving boys being cruel to other boys, so it should be a seamless transition to playing young Draco Malfoy, Harry’s classroom nemesis. “Pratt” is British slang for a fool or idiot, often hurled around as a schoolboy taunt, so young Lox has no doubt endured some grief for it that he can easily hurl back when in character as a scion of Slytherin. Based on the headshot, he has that cold “purebred” look absolutely captured.

Bertie Carvel as Cornelius Fudge

Bertie Carvel has some experience playing equivocating politicians who try to please “both sides” and stay out of trouble — he portrayed real-life Prime Minister Tony Blair on “The Crown” (above). Blair is best known for being good pals with George W. Bush during the latter’s Iraq War, and for persuading Queen Elizabeth II that Diana Spencer should be remembered as a Princess. Is it fair to say in hindsight, and the wake of Brexit, that, like Cornelius Fudge, he failed to see his own Voldemorts rising? Maybe. Carvel could probably make the connection, as he also won a Tony for playing conservative media mogul Rupert Murdoch in “Ink.” He narrated the recent BBC revival of “Walking With Dinosaurs.”

Carvel hasn’t had many film roles, but he did play Banquo in Joel Coen’s “The Tragedy of Macbeth,” having previously played the titular lead on stage at London’s Union Theatre.

Louise Brealey as Madame Hooch

Zoe Wanamaker’s flying teacher, Madame Hooch, disappeared from the film franchise after the first film, when producers didn’t wanna make her a better offer to return. Louise Brealey is presumably locked into a longer-term deal, as Hooch appears again in subsequent books. Brealey has been a cast regular in many shows, notably “Sherlock” as pathologist Molly Hooper (above), but also “Casualty,” “Mayo,” “Ripper Street,” “Exile,” and most recently as single mother Deb on the sitcom “Such Brave Girls.” In 2023, she starred in the award-winning Welsh jukebox musical “Chuck Chuck Baby,” about a chicken factory worker suddenly confronted with the return to town of her adolescent crush.

Brealey began her entertainment career as a reviewer and magazine writer, and is also a playwright, having written 2013’s “Pope Joan.”

Johnny Flynn as Lucius Malfoy

Johnny Flynn played David Bowie in the biopic “Stardust,” which gave him some experience with the luscious locks that Lucius loves. He’s played Ian Fleming in “Operation Mincemeat,” Albert Einstein in National Geographic’s ‘Genius,” and the Matt Damon role of Dickie Greenleaf in Netflix’s “Ripley.” He’s also a musician, having composed the score for “A Bag of Hammers,” and an end-credits song for 2020’s “Emma,” in which he also costarred as Mr. Knightley. As a solo performer, he has released several hit albums in the folk revival genre. We probably won’t hear Lucius Malfoy sing, but his icy insults might just benefit from a certain musical quality.

He’s next set to appear in Kate Winslet’s directorial debut, “Goodbye June,” alongside Toni Collette, Andrea Riseborough, Helen Mirren, and “Harry Potter” alumnus Timothy Spall.

Bel Powley as Aunt Petunia Dursley

This could be the “Harry Potter” franchise’s equivalent of casting Marisa Tomei as Peter Parker’s Aunt May. Nobody besides Uncle Vernon is meant to find Aunt Petunia hot, but that’s likely to change with the casting of Bel Powley, who, at 33, is about 10 years younger than Fiona Shaw was in the first movie, in the role. Perhaps smarting from criticisms that the Dursley characters are written as fatphobic, Warner Bros. seems to be going in a pointedly opposite direction.

Powley turned heads in her breakthrough role as the star of “The Diary of a Teenage Girl,” based on Phoebe Gloeckner’s autobiographical hybrid graphic novel, and that same year played Princess Margaret in “A Royal Night Out.” In “King of Staten Island” (above), she more than held her own as Kelsey, long-suffering girlfriend to Pete Davidson’s Scott.

Daniel Rigby as Uncle Vernon Dursley

Petunia gets an appropriately more handsome Vernon in Daniel Rigby, who, at 42, is also a good decade younger than Richard Griffiths was. Perhaps a young pregnancy on Petunia’s part, to a rotten son at that, explains their dysfunction now?

Regardless, Rigby is a successful stand-up comic and actor who won a BAFTA award for playing comedian Eric Morecambe in the Morecambe & Wise TV biopic “Eric and Ernie,” beating out Matt Smith as The Doctor and Benedict Cumberbatch’s Sherlock Holmes for the honor. He was also the narrator for “Teletubbies” for three years, proving he doesn’t actually hate kids.

Rigby will next appear in the upcoming “Blade Runner 2099” miniseries on Prime Video, starring Michelle Yeoh and Hunter Schafer.

Amos Kitson as Dudley Dursley

Clearly, once Dudley’s parents were cast with good-looking actors, he couldn’t be fully repellent to believably carry their genes. Crooked bangs aside, Amos Kitson is evidently a handsomer version of cousin Dudley, and leaked set photos indicate that he will not be fat. He will, however, be blond, as he was in the books.

Kitson trained in acting at the BAFTA-winning UK charity The Television Workshop. “Harry Potter” will be his first TV or movie credit.

Anton Lesser as Garrick Ollivander

Anyone succeeding John Hurt might be seen as lesser, but this actor literally is by virtue of his name; getting that joke out of the way quickly. Anton Lesser is best known to fans of fantasy and HBO shows as Qyburn from “Game of Thrones,” and with that in mind, Cersei’s mad scientist will probably look quite at home handling and selling magic wands. He also played Major Partagaz in “Andor” and King George’s minister Lord John Carteret in “Pirates of the Caribbean: On Stranger Tides,” so being on the side of good in a major franchise will be a change.

A Royal Shakespeare Company alumnus, Lesser also notably played UK Prime Minister Harold Macmillan on “The Crown” (above), and will next appear in “The World Will Tremble,” a film by Lior Geller, about an attempt to escape Chelmno, the Nazi death camp.

Katherine Parkinson as Molly Weasley

The new matriarch of the Weasley clan is perhaps most familiar as Jen from “The IT Crowd” (above), a relatively normal voice of reason among the awkward nerds. She is now close to the same age Julie Walters was then, so it’s not as incongruous a choice as it may seem, and she has some experience being a comforting figure the viewer naturally gravitates toward in the midst of chaos and strangeness. Prior to “The IT Crowd,” she was a regular on “Doc Martin” as receptionist/phlebotomist Pauline Lamb; afterward, she played lawyer Laura Hawkins on “Humans,” once again playing a more grounded character in an odd situation, in this instance surrounded by robots.

Most recently, she voiced Mrs. Forrest in Richard Curtis’ animated “That Christmas,” which also featured original “Harry Potter” alumna Fiona Shaw.

Leo Earley as Seamus Finnigan

Leo Earley is already a bit of a child star in his native Ireland, having won the under-12 storytelling contest at  the Irish music festival Fleadh Cheoil 2024. He went on to appear on “The Late Late Toy Show,” a special Christmas charity edition of the Irish “Late Late Show,” to perform a comedic monologue about the benefits of hats. In both cases, he proved his bilingual skills by speaking in both English and Irish.

Earley hails from Leitrim, and “Harry Potter” will be his first dramatic TV series.

Rory Wilmot as Neville Longbottom

Neville is a complex role across the entire arc of the Harry Potter saga, going from awkward comic relief to handsome hero. As such, it’s fitting that Rory Wilmot has a little more TV experience than his young costars. He previously appeared on the European-set “FBI: International,” and will soon be seen on the London-based mystery-thriller “Out of the Dust,” starring former child actor Asa Butterfield, who might give him a pointer or two.

Wilmot is represented by Articulate, a major U.K. talent agency that has placed clients in movies like “Mission: Impossible — The Final Reckoning” and “28 Years Later.”

Alessia Leoni as Parvati Patil

Parvati Patil, Harry’s eventual date to the Yule Ball in “Goblet of Fire,” was initially played by Sitara Shah in “Prisoner of Azkaban,” notably seen facing her fears in Remus Lupin’s classroom. Shefali Chowdhury replaced her in subsequent films, but Alessia Leoni will presumably keep the role throughout. She’s got plenty of time to learn formal dance.

Leoni’s Italian heritage has sparked some inevitable controversy in the South Asian community, given that the character is meant to be of Indian descent.

Sienna Moosah as Lavender Brown

Lavender Brown was initially such an ignored franchise character that the movies recast her — and race-swapped her! — and fans totally missed it, mainly because she wasn’t really addressed by name in “Chamber of Secrets.” Another Black actress, Jennifer Smith, played her in “Prisoner of Azkaban,” but when she reappeared in “The Half-Blood Prince,” she was replaced by Caucasian actress Jessie Cave, after J.K. Rowling finally confirmed the character’s race in that book.

With longer-term TV contracts, Sienna Moosah ought to retain the role throughout, evolving from background character to Ron’s annoying girlfriend. Moosah is best known in the U.K. for a series of TV commercials for the grocery chain ASDA.

TV & Beyond on 2025-07-29 18:45:00

TV & Beyond on 2025-07-29 18:45:00

rose to stardom with “Euphoria,” she had a small but very memorable role in season 2 of “The Handmaid’s Tale.” Her character was Eden, introduced as a young, somewhat-naive girl turned into a child bride. Although originally seeming like a true believer in Gilead, the horrendous patriarchal society that main character June is focused on rebelling against, Eden quickly becomes disillusioned when she realizes her new husband will never love her. 

She soon falls in love with a young man called Isaac, and decides to have an affair with him rather than settle in a loveless marriage. The young couple is caught and subsequently executed by the state, in what is perhaps the most depressing sequence in an already bleak second season of the series. 

Sweeney gave her thoughts on Eden’s storyline in a 2018 interview with Refinery29. She explained how, because this was the first season that went beyond the original book the show was based on, she didn’t know what would happen to Eden going in:

“I knew she was going to have an ending. I wasn’t exactly sure how it was going to end. There was [the idea of], ‘Oh, she could end up running away.’ They weren’t quite sure what direction they were going in. I just knew there was going to be an ending. When I read episode 12 I was completely shocked. … I was screaming at the page [while] reading.”

Ultimately, Sweeney was thrilled with how Eden’s fate turned out

“I was glad that it went so dark for an ending. Because it’s going to hit a lot of people and have a huge impact,” Sweeney added. When asked how she thought her death would affect the main characters, she replied, “None of them will be able to be the same. It’s definitely going to carry them throughout the next season.” 

It’s hard to argue with that claim: the next season was the show at perhaps its angriest and most rebellious. It’s also the beginning of an arc for Serena Waterford, an originally pro-Gilead character who seems to be shaken out of at least some of her beliefs after watching Eden’s death. It especially hurt for Serena given that she’d been close to Eden, and that Eden represented so much of what Serena considered the ideal young woman to be like. 

But as dark as the scene was in the show itself, behind-the-scenes it was a surprisingly lighthearted affair for Sweeney: “I was having a blast,” she said about jumping into the pool. “I was having such a great time. I wanted to keep doing it over and over again … My mom was in that day too. I wanted her to see it in person instead of just watching it on TV so it wasn’t as shocking or scary for her.”

TV & Beyond on 2025-07-29 18:30:00

TV & Beyond on 2025-07-29 18:30:00

by | Jul 29, 2025 | TV & Beyond Articles

influenced virtually every filmmaker of the last 30 years in one way or another, so it’s hard for a high-concept genre film not to have some inspiration from a Spielberg movie, whether it’s an action-adventure movie grabbing from “Raiders of the Lost Ark,” a sci-fi family movie grabbing from “E.T.,” or a creature feature taking cues from “Jurassic Park” or “Jaws.”

Homages, callbacks, nods, and outright recreations of Spielberg’s movies are common, but when it comes to movies Spielberg himself is involved with, they become a big no-no for the legendary filmmaker. At least, that’s what Gareth Edwards experienced when working on “Jurassic World Rebirth,” the latest chapter in the somehow only major movie franchise about dinosaurs.

In an interview with Vanity Fair, Edwards talked about how Spielberg, who loves referencing other filmmakers in his work, absolutely hates quoting himself on screen. After screening a rough cut of the film for Spielberg, the Oscar-winning director had one big final note. “By the way, take out all the nods and references to all the previous Spielberg films and ‘Jurassic Park’ Easter eggs.”

According to Edwards, Spielberg had a good reason to be so hesitant to reference his own movies. “It probably feels like a snake eating its own tail,” Edwards said. “I wouldn’t want to do that if I was them. But — because I’m not them, and I’m a fan, and I love their work, and so does the rest of the world, I feel like [they’re] the only people in the world that have a problem with this.”

There was one exception to the rule

It makes sense that Spielberg would try to avoid referencing his own work, especially in sequels. Say what you will about “The Lost World” (which /Film’s Danielle Ryan claims is the best “Jurassic Park” movie), but it at least tried to do different things rather than just copy the first one. As much as “Rebirth” tries to distance itself from the rest of the franchise, it does end up feeling quite a lot like both “The Lost World” and “Jurassic Park III” without much of an original idea that’s not just a remix on an old one. 

Though Edwards agreed to follow Spielberg’s notes, he still tried to salvage as many of the references as he could, or at least find a way to sneak some in anyway. “I think we got the right balance in the end. And I think it’s just humbleness on his part,” Edwards added.

Apparently, there used to be a very different prologue sequence that was much more in the vein of the first “Jurassic Park,” recalling the scene where the raptors are delivered to their pen. The scene in “Rebirth” would have involved primates watching as something big moves in the trees, but rather than a dinosaur, it was a bulldozer arriving to build the lab that appears in the prologue. (The monkey/bulldozer bit was scrapped, and the movie jumps straight to the already-built lab instead.) Additionally, “Rebirth” was also going to include the return of Mr. DNA, before that was ultimately cut.

Another big note Spielberg had for Edwards was to stick to scariness and try and stick to the science. This came in especially handy when it came to one of the biggest Spielberg homages that remains in the movie: the sequence with the Quetzalcoatlus in the cliffside temple. This is clearly a “Raiders of the Lost Ark” homage, which producer Frank Marshall recognized immediately during filming. Eventually, however, even Spielberg allowed the scene to remain as-is, in part because David Koepp sided with Edwards. “One of David Koepp’s favorite films is ‘Raiders of the Lost Ark,'” Edwards told Vanity Fair. “So he was never going to fight me about that.”