by admin | Jun 22, 2025 | TV & Beyond Articles
Of course, there are many variable factors to include here. Rotten Tomatoes, for instance, didn’t launch officially until 2000, and didn’t become a remarkable cultural force until about 2003 or 2004. The site has more reviews of newer films than of older ones, which is going to weight approval ratings. “Strange New Worlds,” for instance, has 87 reviews, while “Star Trek: The Animated Series” (ranked third, with a 94% approval rating) only has 18. Also, a lot of the newer shows’ approval ratings are based only on reviews of their first few episodes, and don’t stand as an overall litigation of the series in question, ex post facto. The ’90s shows were judged as a whole, while “Strange New Worlds” was judged by maybe five episodes.
“Star Trek: The Next Generation” was fourth on the RT list with a 91% approval rating, while “Deep Space Nine” almost tied “Lower Decks” with 91% approval, only with fewer reviews.
Curiously, less appealing Nu-Trek shows like “Star Trek: Discovery” and “Star Trek: Picard” still garnered a lot of positive response, at least initially. “Picard” has an approval rating of 89%, bringing it in at #7, while “Disco,” the first Nu-Trek series, is in 8th with an 84. These shows are hotly contested, and /Film has gone on record as to why they don’t work very well. Coming in behind them, rather bafflingly, was the original 1966 “Star Trek” series, boasting a mere 80% approval. That is based on 42 reviews, though, some of them vintage.
At the bottom of the list is “Star Trek: Voyager” (76%) at #10, and finally, at #11, “Star Trek: Enterprise” (56%).
Nu-Trek shows can brag about this: On average, they have a 91.8% approval. Fans of the two original shows can take solace in the knowledge that their average is 87%, but ’90s Trek fans will be hurt to learn that their four shows average out to 78.75%.
by admin | Jun 22, 2025 | TV & Beyond Articles
“Captain America” was being developed by cartoon veteran Will Meugniot, his wife Jo, and storyboard artist Dave Simons. The series would’ve been set during World War II, as you can see from the one part of the project that was completed: a one-minute promotional video.
[embedded content]
The trailer depicts a version of Captain America’s origin, where scrawny Steve Rogers becomes a muscular paragon thanks to the super-soldier serum. But is this Steve Rogers? According to most reporting about the show, this Captain America’s real name was Tommy Tompkins. “Steve Rogers” was an alias the Army gave him as a cover. Puzzling choice, but sure!
The animation style of the promo resembles the 1999 cartoon “Spider-Man Unlimited” (that Saban and Meugniot worked on), with shading and proportions to suggest a comic brought to life. Appearing in the trailer are Cap’s sidekick Bucky and at least some of the Howling Commandos, plus their foes the Red Skull and Baron Wolfgang von Strucker.
One of the show’s writers would’ve been Steve Englehart, the defining “Captain America” comic writer who had Cap fight President Richard Nixon in 1974. Englehart has publicly shared the synopsis of an episode he wrote, “Skullhenge,” about the Red Skull trying to rearrange the Stonehenge formation in England into a giant swastika.
The choice to set “Captain America” in World War II makes sense. Cap was created by Jack Kirby and Joe Simon in 1940, months before the U.S. entered the war. Kirby and Simon drew an American flag-wearing hero punching out the Führer. Captain America has also struggled when taken out of a war setting; in those cases, he can sometimes feel like just another superhero. The best modern “Captain America” writers, like Englehart, use that discomfort to contrast Cap, the idealized Greatest Generation warrior, with the reality of America, but I digress.
But there’s a problem with the WWII setting. According to Englehart, the show wouldn’t have been allowed to call the bad guys “Nazis.” Apparently that was too charged for a kids show. This is not without precedent. The 1990s “X-Men” sanitized Magneto being a Holocaust survivor, depicting him instead as just a generic refugee. The sequel series “X-Men ’97,” aimed at the same but now older audience, had to rectify Magneto’s origin. Even “Avengers: Earth’s Mightiest Heroes” (which debuted in 2010) depicts the Allies fighting HYDRA and only HYDRA during WWII.
There’s been rumors over the years that this issue is what kept the show from getting off the ground, but comic historian Brian Cronin disputes that. Englehart and Cronin both attribute the cancellation of “Captain America” to money problems that Marvel was facing at the time; they’d filed for bankruptcy in 1996, experiencing a hard crash to the earlier ’90s comic boom. The effects of those financial struggles is shown in how this era of Marvel cartoons abruptly ended. By 1998, “X-Men” and “Spider-Man” were over and “Silver Surfer” and “Spider-Man Unlimited” ended after only 13 episodes. “Captain America” never got one episode.
These days, Marvel fans can debate which canceled ’90s/early aughts cartoon they’d rather have seen more: Meugniot’s “Captain America” or Mike Mignola’s “Thor.”
by admin | Jun 22, 2025 | TV & Beyond Articles
Barry, the bee, falling for a human woman. Oh, and at one point, Winnie the Pooh got shot. Yes, really.
It’s safe to say “Bee Movie” was a wild ride, and it’s predictably generated more than its fair share of memes in the years since its release. Despite all the buzz (okay, okay, I’ll stop), “Bee Movie” remains a standalone release with no sign of a sequel. However, Seinfeld might want to change that. As well as starring alongside a cast that included Chris Rock, Seinfeld co-wrote and co-produced “Bee Movie” for DreamWorks (that Winnie the Pooh scene was supposedly a shot at the studio’s rival, Disney). Now, Seinfeld seems to think the universe is telling him to give audiences what they’ve clearly been craving since 2007: “Bee Movie 2.”