Fans of the Kardashian-Jenner family are accustomed to watching big moments of the celebs’ lives and careers play out on reality TV. However, as we wait for a premiere date for The Kardashians Season 7 to hit the 2025 TV schedule, there’s been a bit of speculation surrounding the future of the Hulu series. For one thing, Kourtney is allegedly trying to distance herself from her family lately. Now, Kim reportedly has some strong feelings about that.
Anyone who’s watched the latest seasons of The Kardashians with their Hulu subscription can easily see how attached at the hip Kourtney Kardashian is to her husband, Travis Barker. However, Kim allegedly doesn’t think her sister’s commitment to the Blink 182 drummer and their combined seven children should cause her to abandon the family business that made them famous. According to Star:
Kim doesn’t understand Kourt’s mentality and thinks she’s being a snob. After all, Kourtney got rich off Keeping Up With the Kardashians and became successful because of it. Kim reminds her that her brands would never gotten off the ground if not for the family’s name.
Kim Kardashian reportedly denied that there’s a rift between her and Kourtney — at least one at the level of their fiery Season 4 fight or their physical altercation on KUWTK that caused production to shut down for a week and resulted in Kourtney stepping away from the E! reality show (which can be streamed with a Peacock subscription).
American Horror Story: Delicate star is reportedly irate that her older sister wants to again distance herself from the TV cameras while continuing to make a profit from her brands Poosh and Lemme (not to mention as an EP of The Kardashians). The issue apparently personal to Kim, who feels she’s done the most to allow her sisters to make money off of their family’s name. The source continued:
Kim takes most of the credit. She thinks Kourtney is being hypocritical. They get in constant fights over it.
We may not know for sure what all is going on behind the scenes, but it’s not hard to imagine Kourtney Kardashian having a full plate with seven kids, including 1-year-old Rocky. She’s even been dragged into stepdaughter Alabama Barker’s feud with Bhad Bhabie.
Outside of the drama and juggling the needs and schedules of all of her and Travis Barker’s children, Kourtney is reportedly just happier when she doesn’t have to worry about getting glammed up and can just spend time with her family. She apparently thinks her sisters would be, too. In fact, one insider alleged the Poosh boss is concerned that one day Kim and Khloé will realize their lives have flown by and they didn’t enjoy any of it because they were too worried about the cameras.
This all comes amid concerns about the future of The Kardashians amid rising production costs for streaming shows and Kim Kardashian’s budding acting career. The billionaire CEO is set to star in the Ryan Murphy legal drama All’s Fair this fall on Hulu, and she also reportedly has a couple of different movies in the works.
Your Daily Blend of Entertainment News
Momager Kris Jenner is allegedly worried Kim’s busy schedule will leave less time for The Kardashians, and a choice may have to be made between fewer episodes with full access to Kim or business as usual with other family members in the spotlight. Either way it goes, it sounds like we might be seeing more tension between Kim and Kourtney in the future — or possibly not seeing Kourtney at all.
Ryan Coogler’s horror movie, Sinners, has been one of the hottest topics of the 2025 release schedule. Everyone seems to be raving about it, as Coogler’s latest has been a hit with critics and has made a ton of money. Coogler has especially benefitted, as he scored an amazing deal that lets him keep the rights to his film. Now, as it turns out, Tyler Perry — the groundbreaking Black director — was also involved in helping the Black Panther filmmaker with this major deal. With that, Perry’s sharing how he did it.
Tyler Perry made the revelation during the dinner conversation series, Den of Kings, which is hosted by award-winning gospel artist Kirk Franklin. It turns out Perry opted to provide some support to the Fruitvale Station helmer. In the conversation, Perry explained:
When this deal with Ryan Coogler – everybody’s talking about the Sinners deal. ‘Oh my god, he’s got this amazing deal.’ Listen, I called that brother up, as I did a lot of them, I called him up after Black Panther, and I said, ‘Listen, here is how you do it.’ The deal that he has – my first movie, it’ll be 20 years this year from Diary of a Mad Black Woman. I called him up and said, ‘Here is how you do that deal.’
Business Insider, in 2024, Sinners sparked a major bidding war between studios. Whichever studio won the bid to work with Coogler had to agree to his specific conditions, like his getting first-dollar gross points, having final cut, and owning the movie completely after 25 years. Warner Bros. stepped up and agreed to everything. It was a pretty impressive deal, and Perry had some complimentary sentiments to share about it, adding:
vampires are introduced later in the story in what some might consider misleading marketing. So, for the young director, owning a movie that highlights Black ownership was particularly meaningful to him.
Since the release of his latest movie, Coogler has revealed that the film was partly inspired by his grandfather, whom he never knew, and who was from Mississippi. Coogler’s uncle, who passed away in 2015, was also an inspiration. Considering those personal ties, it’s pretty meaningful for this to be the first feature film he actually owns.
Just like Tyler Perry, this is something that horror fans and anyone who loves new stories in cinema should wholeheartedly support. Also, since Sinners has become such a major success, I, for one, eagerly anticipate what Coogler will create next.
Your Daily Blend of Entertainment News
If you’ve somehow managed to miss Sinners while it was in theaters, it’s available to stream with an HBO Max subscription. Also, for you horror fans out there, be sure to read up on upcoming horror movies to see what’s headed to theaters soon.
Warning! The following contains spoilers from the Big Brother Season 27 live feeds as of Sunday, July 27th. Stream it with a Paramount+ subscription and read at your own risk!
When Lauren Domingue won the Week 3 Head of Household, I questioned whether she really wanted that win. Now, I think it’s safe to say she’s not going to enjoy the rest of this week. That’s the feeling I get since the latest veto result ensures she’s going to have to put someone new back on the block.
CinemaBlend is streaming Big Brother and watching the live feeds, and we can confirm that Lauren put Keanu Soto, Kelley Jorgensen and Will Williams on the block. This week should get interesting now that one of them won the veto, and I can’t help but feel like the winner is starting to remind me of a former iconic Houseguest.
help him in Week 2 when he activated his power. Once again, the guy with the biggest target on his back is safe from eviction, and it’s starting to remind me of a past Houseguest who had a similar path.
(Image credit: Paramount+)
Keanu Is Starting To Remind Me Of Frank Eudy
should’ve gone further in his seasons (14 and 18), given his knowledge of the game. However, his overall competitive dominance early on made him such a massive target.
Ultimately, Frank made the Big Brother mistake of not capitalizing on his wins and using his guaranteed safety. He could’ve used that safety to shore up his relationship with other Houseguests and ensure that he had less of a chance of going up on the block the following week.
To that point, Keanu currently lacks the awareness that he needs to listen more than talk, and that there will come a point where his luck runs out. His best hope for survival at this point is to try to smooth the waters with the people gunning hardest for his eviction. His other option, of course, would be to win a Head of Household competition. Then again, I’m not sure a HOH reign would help his case at this point, given the complaints from Houseguests that they dislike how he thinks he runs the house.
Your Daily Blend of Entertainment News
Big Brother airs on CBS on Sundays, Wednesdays, and Thursdays at 8:00 p.m as part of the 2025 TV schedule. ET. Season 27 is really firing on all cylinders and, if you aren’t caught up yet, hop on Paramount+ and make it a priority!
We’re now less than a week away from SummerSlam 2025, and the card is really starting to come together. There are twelve matches already locked in with the potential for more to be added. I can’t wait, especially after this past Friday Night SmackDown when head booker Triple H and WWE took a big step toward fixing a huge WrestleMania 41 mistake fans are still mad about.
No, I’m not talking about WrestleMania 41’s biggest mistake. The main event very infamously didn’t include The Rock but did include Travis Scott in what turned out to be one of the most poorly received segments in WWE history. The main event rematch between Cody Rhodes and John Cena may try to do some retroactive damage control there, but ultimately, we won’t know until the match actually happens. Instead, I’m talking about the match that wasn’t on the card.
complained loudly and aggressively at the time, but it didn’t change anything, as everyone involved in the division was cut from The Showcase Of The Immortals.
rehab the division. They didn’t get one, but it warms my heart to see WWE trying to make up for it with a big showcase at SummerSlam. Fingers crossed they can use it to continue the momentum and show a huge audience how great tag team wrestling can be.
Mister Fantastic and his family are back on the big screen, only this time under the rule of Marvel Studios instead of 20th Century Fox.
In a needed win for both Kevin Feige‘s Marvel Studios and the franchise itself, Matt Shakman’s Fantastic Four: First Steps rocketed to a global opening of $218 million, including $118 million domestically and $100 million overseas. That’s a good start for a film series that’s been long dormant, and was never hugely successful to being with. And it’s virtually on par with the recent $220 million global box office debut of DC and Warner Bros.’ Superman, which, alongside Spider-Man and Batman, is one of the most famous comic book heroes of all time.
Fantastic Four opened ahead of tracking domestically, although on Saturday morning, many thought it could open to $120 million to $125 million based on a huge opening day gross of $57 million. However, slower-than-expected traffic on Saturday changed the landscape. Numbers could always shift again by Monday. (There’s no question that Superman is posing competition).
The overall early performance of Fantastic Four: First Steps, which is winning over critics and audiences, is welcome news for the Disney-owned Marvel, where Feige and his team are looking for redemption after a rough few years (Deadpool & Wolverine being the exception). Outside of Deadpool 3, the Fantastic Four reboot marks one of the best domestic openings for Marvel in several years.
It is also the 37th title in the Marvel Cinematic Universe to open in first place, as well as helping Disney become the first Hollywood studio to cross $3 billion in 2025 worldwide ticket sales.
The New York City-set First Steps, which is earning raves for its early 1960s retro-style, stars Pedro Pascal as scientific genius Reed Richards, who leads a space expedition with his wife, Sue Storm (Vanessa Kirby); her brother, Johnny Storm (Joseph Quinn); and piloted by their good friend Ben Grimm (Ebon Moss-Bachrach). When their rocket ship encounters a cosmic storm, it alters their DNA, returning them to Earth with superpowers.
The new film picks up after the four have returned and have become worldwide heroes. But there is no time to rest on their laurels. They must return to space when Earth is visited by the Silver Surfer (Julia Garner), who warns that the planet is about to be destroyed by a cosmic entity named Galactus.
In terms of the box office, the hope is that Fantastic Four will play to both families and fanboys/fangirls alike, which should help combat lingering superhero fatigue at the box office. It’s earning glowing responses from moviegoers, including an A- CinemaScore, stellar exits on PostTrak and a 93 percent audience score on Rotten Tomatoes. (Superman has almost identical scores.)
“The pleasing back-to-basics feel in The Fantastic Four: First Steps suggests Marvel has learned valuable lessons from its recent box office underperformers. There’s a fresh willingness to prioritize character over the usual barrage of interchangeable CG action sequences that often overwhelm them, instead giving us relatable folks to invest in,” Hollywood Reporter chief film critic David Rooney writes in his review.
Elsewhere, Superman flew past the $500 million mark globally in its third outing. And it held in nicely over the weekend despite losing Imax screens to Fantastic Four, grossing $24.9 million domestically and $19.8 million internationally to finish Sunday with a North American total of $289.5 million and $213.2 million overseas for a worldwide haul of $502.7 million through Sunday.
Universal and Amblin’s Jurassic World: Rebirth is also celebrating. It earned $13 million in its fourth weekend to clear the $300 million domestically after clearing the $600 million milestone globally a week ago.
In yet another milestone, Apple Original Films’ F1: The Movie zoomed past the $500 million mark, a number no one could have foreseen. The Formula One movie placed fourth for the weekend domestically with $6.2 million for a domestic total of $165.6 million. Overseas, it added another $20 million for a foreign total of $344.1 million and $509.7 million worldwide.
Paramount’s Smurfs reboot couldn’t recover in its second weekend, declining 51 percent to $5.4 million for a 10-day domestic tally of $22.8 million. Ditto for Columbia and TriStar’s I Know What You Did Last Summer, which tumbled even more in its sophomore outing, or 60 percent to $5.1 million for a domestic tally of $23.6million.
